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Sameem Preparing for release stowaway, new album after 12 yearsand today, the Oakland, California punk legend shares another single from the record.something”
Out March 31 on Pure Noise Records., stowaway pick up immediately Sameem Retaining all of the energy, melody and pathos of their classic work, the group proves exactly why they are still one of the most beloved and enduring punk bands of their generation.
“something‘ follows previous singles ‘Monterey Canyon’, ‘Crystallized’ and ‘Lights Out, Little Hustler’ (which drew attention from Stereogum, BrooklynVegan, Exclaim and others), and the uptempo new track is Samiam’s specialty. Big guitars and big hooks.
Guitarist Sean Kennery said,something“The lightness of music is betrayed by heavy subject matter that seeks some meaning and reason within everyday actions. Buzzcocks-style hammer chords underpin soaring vocals as Jason searches for elusive relevance and purpose in his day to day life.
Since forming in Oakland’s DIY punk scene in 1988,As a band, Samiam went through countless ups and downs over their 30-plus years, until they finally experienced firsthand the major-label alternative rock-feeding frenzy of the 1990s. But their output has always been incredibly consistent, stowaway is no exception.
Through the challenges of the past few years, the album, recorded piecemeal in various studios, Samiam’s Tricks for Changing Difficult Situations to the song of the anthem. stowaway Time, failure, and frustration might factor in, but the classic Sameem A tale of fashion, bad luck, delivered by some of the band’s most energetic and hooky songs to date. It gives you a sense of participation,” explains guitarist Sergie Loobkoff. “And I still understand that Sameem” stowaway It may have taken over a decade to make, but it was worth the wait.
Austin Rhodes Samiam
Sameem It’s not the same without a little confusion. The Oakland, California-based band, who have been together for over 30 years, specialize in energetic, ill-fated songs that are as relatable as they are charming. As such, it might be fitting for the band to make his Stowaway, his ninth new album in his first in 12 years. It was full-length overall, but not the easiest. But few bands can really describe what it feels like to stagger and get up. Sameem They prove exactly why they remain one of the most beloved and enduring punk bands of their generation.
Formed in Samiam in 1988.The current line-up includes longtime members Jason Bibout (vocals), Sean Kennery (guitar) and Sergiy Lubkoff (guitar), plus new additions Colin Brooks (drums) and Chad Darby. (bass) included and broke out of the DIY punk scene. Living at 924 Gilman Street, he experienced firsthand the rock-feeding frenzy of his label Althi in the 1990s and its eventual decline in the 2000s. After the release of his Trips in 2011, the band never fully disbanded, continuing to play shows sporadically, but due to the demands of life (not to mention all members living in different parts of the country). ) made the songwriting process almost arduous. interrupted.Years passed and it began to seem like nothing new Sameem Materials – but it wasn’t for trial and error.
“Over the years the pressure has increased so slowly that it has led to the decision to set a new record,” explains Kennerly. “We’ve been lazily working on a few new songs here and there for years, until I tried and failed to record a small demo after Riot Fest in 2014. I wrote the beginning and kept sending it to everyone, but then one day about four years ago, all of a sudden, I said, ‘Enough with the album! We started our first recording, and a month later the pandemic turned the world upside down. samiams The plan was put on hold again.
“At the time, I had no idea what was going on, when it was going to end, or just killing people and destroying the world,” recalls Kennerly. “It made the recording process take a ridiculously long time, even longer than it had already taken.” recorded sporadically in various studios in different locations. Brooks went to Savaria Studios in Brooklyn, New York, where he recorded drums with John Markson (Drag Church, Koyo, Soul Blind). Darby, Loobkoff and Kennerly flew to Gainesville, Florida to continue working on the song structure they started in Oakland. Eventually Bebout and Kennery returned to Otis to record vocals. “It was just Jason and I,” Kennerley says. I got stuck. We got over all these hurdles and nothing to record. We spent a week there and came home with nothing. It was another disappointing start to failure, but Beebout didn’t deter. “Maybe people over 50 and doing bands should admit they’re too old to be in this business,” he says. “Most of them – I’m not. I never worried if I could sing. I just wasn’t sure if I wanted to.”
Kennery and Bebout regrouped at Anti-Sleep Studios with engineer Scott Evans (Thrice, American Steel, Floor) and began working on vocal takes. “Everyone in the band was worried if Jason could still do it,” Kennerley admits. Did Jason still have the pipe? I wondered if he was nervous after his experience with Otis because he couldn’t sing anymore, but recorded his first song, “Lakespeed,” on his first day at Anti-Sleep. ” Loobkoff adds: Musically, it’s easier for the other four of us than him because it’s not coming out of the lungs, heart, throat and body like the vocals do. He really has to pour out his soul. “There were a lot of times when I thought I was going to fall apart completely, and I never really got through it all,” he says Kennerly. “It would probably have been the end of the band if we hadn’t pulled together by the skin of our teeth, but we finally did it. I think everyone was a little surprised.”
Perhaps even more surprising is the undeniable confidence in the end result. stowaway Seamless pickup anywhere Sameem It radiated as much energy, melody and pathos as their classic work. From the ferocious kineticism of the opening “Lake Speed” to the impassioned melancholy of the closing title track, the band is as vibrant as ever. Kennerly and Loobkoff weave dual guitar attacks over the taut rhythm section of Darby and Brooks, Beebout’s voice hops from anthemic chorus to the next, his trademark tuneful grit As is. But Stowaway isn’t about reclaiming the past. The album is particularly informed by the accumulation of experiences (both good and bad) that come from living a fulfilling life as an active musician for over 30 years. “Anyone who’s done this, from the biggest band to the smallest, touring and experiencing the grief that bands bring, knows it’s not always fun,” he said. says Loobkoff. “Often it’s very boring and doesn’t make enough money to make it worthwhile from a financial standpoint. Sameem is the purest kind of band. Because we love music. I don’t have a better term for it, but I love the global scene we’re a part of. It’s great to see all four of them. ”
This tension between doing something that enriches your life and all the obstacles that get in your way is evident throughout the lyrics. stowawayKennerly describes the album’s theme bluntly. Persistence in the face of continuous failure. Failure to communicate, failure to succeed, failure to find meaning. Oddly enough, because it’s actually kind of an uplifting album. Sameem to go. The record tracks the excitement of youth that develops into frustration and the clarity that eventually emerges with age. “Crystallized” is a jerky swell of sad yet hopeful memory that echoes the band’s own experiences, while the crunchy hooks of “Stanley” and “Shoulda Stayed” provide an extra dose of wistful longing. It’s packed. Sameem Excellent. On “Lights Out Little Hustler,” Beebout bellows, “There’s always something in the way.” stowaway. But again Sameem Pull off their magical trick of creating a defeated refrain that is sure to be life-affirming when shouted at the show. Kennerley says. “I think it’s actually more common Sameem It’s about why some people are drawn to our music.
Loobkoff seems to echo this sentiment. Despite all the challenges of life, and certainly all the headaches of being in a band, connecting with people through music replaces all frustrations. “If you’re lucky, being in a band gives you the feeling that you’re part of something that matters to other people,” he says. “And I still understand that Sameem”
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