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Crystal Lucas-Perry had a fall that every actor dreams of. She made her Broadway debut as the lead lady in . 1776took on the role of John Adams of the Roundabout Theater Company and made headlines in the production of Jordan E. Cooper. Ain’t No Mo Cast as a variety of characters, including Black, who steals the second half of the play with an intense and lengthy monologue.
Both productions were short-lived (the former was limited-time, the latter ended early).but Ain’t No Mo, especially Lucas Perry’s performance, was memorable enough to earn her her first Tony Award nomination. Here she looks back on her two shows and how they changed her life.
(©Tricia Baron)
What was it like to look back on your big season and depart from one show (1776) to the opposite (Ain’t No Mo)?
It was an exciting challenge – especially during the three weeks I was rehearsing. Ain’t No Mo during the day and in performance 1776 by night. I didn’t get much sleep, but I enjoyed every moment. These two works of hers are works that I have been involved with for a long time, so they have moved from one family to the next. And yes, the shows are polar opposites and centuries apart. However, both works comment on the experience of black Americans and acknowledge, albeit indirectly, the cost of black American contributions. This was a special connection for me and helped me transition smoothly between the two shows.
What did you learn about yourself as an actor and as a person from both films?
This experience proves what I know about myself. I bring my years of training, experience, and experience to every creative space I work in. I humble myself to take initiative and respect humanity. As an actor, composer, writer, director and producer, I understand and appreciate the sacredness of the creative process. It is my purpose and passion to elevate the stories, works and voices of our community.
your eyeball Ain’t No Mo It was your big monologue about the black experience in America. What was your reaction when you first read it, how long did it take you to memorize it, and how did you figure out how to read on?
I remember being shocked when I read the play for the first time. I felt moved, drawn and connected to the material. And that monologue in particular was a page of possibilities and opportunities. It was an unapologetic explosion of black liberation for all to see, and I had to be a part of. So at the audition, I gave them everything I had. This character contains everything I have, so it needs everything I have. The instinctive choices I made, many of which I’ve seen on Broadway, we are born of connection and shaped with purpose. And having lived with this character since 2018 has allowed me to delve deeper into the creation of the role.
Which role of John Adams was more difficult 1776 or your part Ain’t No Mowhy?
1776 It was a 3 hour marathon. Ain’t No Mo It was a 95 minute sprint. Both required enormous amounts of creative energy, metamorphosis, physical strength, vocal technique, collaboration, comedic timing, dynamic choices, precision and vulnerability.
What does a Tony Award nomination mean to you?
To be recognized and celebrated for what I love is a beautiful and humble gift.I am very proud to be part of Ain’t No Mo The whole family is honored to receive this nomination.
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