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I never thought “Call Me If You Get Lost” would be better. This is a perfect album. Tyler, the Creator’s natural melody and the role of the hypeman in the DJ drama combine to create a sense of harmony. I won’t change anything
Then “The Estate Sale” was released.
Consisting of 8 new songs as a first fan thank you and introduction, ‘Call Me If You Get Lost: The Estate Sale’ builds on the style and fanfare of the original album while adding its own new signature. .
The first true track featuring Vince Staples, “STUNTMAN,” is easy to follow. A carefully crafted pop track that’s sure to hit the charts in no time. Staples compliments Tyler’s chaotic nature by giving the poem a conversational feel. They are swooning fans by showing off their effortless talent.
“WHAT A DAY” creates a calm atmosphere with a sampled chorus. I initially thought the sample said “a day to get lost”. This fits almost perfectly with the theme of the album. Instead, the singer says, “What a day in the park.” That’s fine, but it’s not what I personally wanted, and either way, the song subtly bends Tyler’s wealth and adds a variety of upmarket homages to her LA suburbs.
Related: [COLUMN: How upcycling helped fix my body dysmorphia]
On the morning of the release, Tyler tweeted that “WHARF TALK” was his favorite of these releases. i have to agree. By focusing on Tyler’s singing and making a cameo appearance with none other than A$AP Rocky, it feels like a night out on the water with his friends. If his one point from this review is to listen to “WHARF TALK”, I did my job right.
“DOGTOOTH” has my favorite chorus from “The Estate Sale” and one of my favorite lyrical lines I’ve heard in music. “She can ride in my face. I don’t want anything in return” is a very good line.
Tyler fantasizes about the future in “HEAVEN TO ME.” Cute and sweet, but not as sweet as “BOYFRIEND, GIRLFRIEND”. “SWEET/I THOUGHT YOU WANTED TO DANCE” from Estate Sale. It’s a sexier song than “SWEET”, but it has the same romantic feeling. “When you wish upon a star” is purely adorable.
The album concludes with “SORRY NOT SORRY”. As an impulsive sorry person, I love this song. Tyler apologizes for all his wrongs while realizing that everyone is just like him. A generic apology makes it relevant to everyone.
Fans of Tyler, the Creator will love digging into these B-sides. If you’ve never heard Tyler, the Creator before, this new release is a great starting point.
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