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Violinist Ty Murray plays Samuel Barber’s Violin Concerto Op. It sounds like sunlight.
Violinist Ty Murray. Photo by Gaby Mertz.
“Emotionally, this concerto is in you right away,” she said. It just says, “I am here and you are part of it.” i love this piece. ”
When I heard Murray was playing the Barber Violin Concerto with the Pasadena Symphony in my backyard on April 29th, I wanted to talk to her. (Click here for details. There are two performances.)
The last time I interviewed Ty was in 2012 when she released a recording of Ysaye’s Six Sonatas for Violin (you can read the interview here). She then talks about her upbringing in Chicago, starting with the Suzuki Method, and then Yuval at Indiana University where she studied with Yaron and Franco her Guri before studying at Juilliard and earning artist diplomas from both institutions. Did.
Tai’s accomplishments are many and varied, including being awarded an Avery Fischer Career Grant in 2004 and a Sphinx Medal of Excellence in 2012. She has performed as a soloist with major orchestras around the world and has her home bases in both Berlin and New Haven, Connecticut. There she is Assistant Professor of Violin at the Yale School of Music, where she teaches applied violin and directs chamber music. As of 2014, she is performing in ca. 1765 Balestrieri Violin, on loan for life from a private charity.
As for Barber’s concerto, she said, “I enjoy the challenge of balancing the piece sonically.” Barber gives beautiful melodies to instruments other than the soloist, but among them is the gorgeous oboe melody that begins in the second movement. “And there are quite a few brass situational moments where the violin needs to be present but not necessarily on top. So it’s more difficult to balance. Sometimes the brass is above the violin. and the violin is like a blanket…underneath.”
Barber famously wrote the tricky third movement of the Violin Concerto in response to suggestions from devotees that it needed to be more “virtuoso” than the first two movements.
“The answer to that move is to have good rhythm,” she said.
When Ty isn’t traveling as a soloist, he’s mostly at Yale University where he’s been teaching since Fall 2021.
“I love working with my students,” she said. Her full schedule is 12 students, which is quite a schedule. For example, “I go to concerts somewhere every half week this month and teach the other half,” she said. “It’s a busy schedule, but I’m enjoying it.”
Teaching at Yale University has been a force in her life that has helped ease the roller coaster of her concert tour life.
“My job as a teacher is to do concerts and then come back and focus on other people,” she said. “It’s very stable mentally and emotionally. You can fly around and come back and be productive.”
Many people would struggle to make a living from concert tours, but now Thailand has turned it into art.
“I found the perfect neck pillow that I will never lose,” she said. “I know all the places I like to eat in these different countries. I don’t want to create so many rules that it gets confusing.
The Pasadena Symphony Orchestra’s concerts are called “Americans in Paris” after the Gershwin piece on the program, but for quite some time Ty has lived as “Americans in Berlin”. What was it like and how are the classic scenes there different?
One of the things that really stood out for her, says Tai, “every space and every space is a concert space, especially in Berlin.” “Coming from the United States, where everything is much more fragmented, it was somewhat refreshing.”
So what are the unusual places where she gave concerts in Germany?
“The most memorable thing was the pool!” she said. At that concert, Ty was a soloist and performed an arrangement of the Schoenberg Concerto with a chamber orchestra.
“It was an Olympic-sized pool, and it was huge,” she said. “Obviously it was empty, but the stage was at the shallow end of the inside of the pool and the audience was above us and around the pool. It was a lot of fun!” , it didn’t feel like playing in the bathroom, it felt like playing in the bathroom! The pool itself was tiled, so the acoustics were actually good, right? It resonates so much…”
And why hold a concert at the pool?
“Why?” she said. “That’s basically what I discovered. That’s the answer to that question. Why? Because we want to experience music. We want to understand the effects of that environment on us.” It is.”
“People are people,” she said. “Yes, we have different cultures and different political systems. But people still want to go to concerts and enjoy music. It’s not that different!”
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