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Searchlight Pictures new movie Chevalier A largely forgotten musical maestro is back in the spotlight. The film tells the story of Joseph Bologne, the Chevalier de Saint-Georges, a composer and violinist who rose to fame at the court of Marie Antoinette. Unfortunately, much of Bologne’s work was lost during the rise and reign of Napoleon Bonaparte. Chevalier.
One of the most important relationships in Chevalier de Saint-Georges’ life was with Marie-Josephine de Montalambert, a married woman with whom Chevalier had an affair.of Chevalier, Marie Josephine is played by Samara Weaving, who serves as the perfect on-screen companion to Kelvin Harrison Jr.’s Joseph Bologne. Weaving has a wide range of projects under her belt. Bill and Ted face music To babysitterbut further demonstrates her abilities, such as singing opera Chevalier.
Samara Weaving has spoken screen rant Relationship with Marie-Josephine, learning opera, etc.
Samara weaving in Chevalier
Screen Rant: I’ve heard Kelvin talk about his practice routine for this movie, but you also had singing lessons, didn’t you? You had to sing an opera. what was it like for you? Was it stressful in a way?
Samara Weaving: It was stressful, but my singing teacher, Michael Roberts, made it so easy and fun. I was actually looking forward to it. In fact, I was still taking singing lessons from him after I finished the movie. He made it really fun. Actually I should call him. I should keep doing it. I postponed it.but [it was] Not as crazy as Kelvin’s schedule. I sang for an hour, maybe an hour and a half, and he would wake up at three in the morning and play the violin until eleven at night. So yeah. I was fine
You’ve made so many different kinds of movies: babysitter, Babylon, [and] my personal favorite Bill & Ted. What was the appeal of this film to you? Part of it was to continue to showcase your range?
Samara Weaving: I don’t really think I’m going to introduce my range.just thought of the script [was] very good. I have to thank the team for choosing a truly eclectic role. The script was really good. And I like to challenge myself. I don’t know if it’s my masochism, but I was like, “Do I have to sing? Oh no, let’s do it.”
I don’t want to get caught up in one thing. I did some horrible things one after another. I wanted to set myself apart from that, so I spoke to the team about it. But I love horror, so I came back for more. I don’t think it was intentional.
The script for this film is very nice, but how much did you research Marie-Josephine, other than to find out who she was in the context of Chevalier’s life?
Samara Weaving: It was hard finding her body. I mean, the internet is great, but there wasn’t much of it. Truly, Stephanie was my best resource.She was my most useful tool.
What do you think it was about her that eventually paved the way for her relationship with Joseph Bologne?
Samara Weaving: I think [they were kindred] A spirit in a way. I think she was trapped in this loveless marriage or she was loveless at least at the end and she wanted freedom. I think she saw it in him and he saw it in her. He was inspiring, his fellow artists and wanted to express himself in music. So did she. They have such a muse, and if you have a muse, what are you? What is the correct term for that?
do you have? Artist?
Samara Weaving: Yes, they had an artist-muse relationship. It was really beautiful, but tragic.
Speaking of which, in order not to get into spoilers or anything like that, there is a lot of tragedy in their relationship. How was it when the two of you empathized with the scene and did that scene?
Samara Weaving: So he’s a teacher. He’s very, very talented. It wasn’t hard at all, except when 12 hours of work drove me crazy and I got a gig.And Stephanie’s writing was so beautiful it’s hard to break his character. [such] In a powerful conversation, Steven at the helm says, “We’re running out of light,” and I’m like, “Okay, let’s go with tears.”
Conversely, which scene was the most fun to shoot?
Samara Weaving: I loved the scene where Chevalier and Marie-Josephine meet at such a sweet party. Sian Clifford, who played my cousin, brings me to a party and we gossip about him and watch him. I thought it was very interesting because it had the atmosphere of a high school boy and girl meeting each other. We improvised a lot and probably annoyed everyone, but yeah, it was good.
bottom [any of] Will improvisation make it into the film?
Samara Weaving: Maybe. She doesn’t remember when she was about to leave Kelvin. I can’t remember if they left it or said “that doesn’t fit the tone of the movie”.
Other than the fact that you are both artists, you and someone like Marie Josephine may have little in common. Did you have a specific relationship with her when you started working on this?
Samara Weaving: I think she’s approachable. Only the times are different. I related to her in the sense that she was creative and had no outlet for her creativity. [one] You can really get down. I think she’s really friendly with a lot of women. [in] The fact that we are not yet completely in control of our lives, especially our bodies.
Strangely enough, I never thought, “Oh, she’s so different from me.” In fact I was thinking the opposite. She was in a very different situation, so I had to use my imagination. [and] Hair and makeup didn’t have to be so imaginative. [It] It felt like stepping into another time.
I know all the call sheets had Bob Marley lyrics, [and] Stephen Williams is obsessed with Bob Marley. Were there any memorable moments during production?
Samara Weaving: Oh, I don’t remember. That was a long time ago.i will always miss you [it] Because when they start I still have my hair and makeup on and Stephen told the crew that at the time. Especially if you’re feeling sleepy, tired, and ungrateful, it was nice of you to pick me up.
About Chevalier
Inspired by the wonderful story of Joseph Bologne, composer of the Chevalier de Saint-Georges. The illegitimate son of an African slave and a French plantation owner, Bologne (Kelvin Harrison Jr.’s Tour de Force performance) went through an ill-fated love affair to become a famous violinist, composer and swordsman in France. Reach incredible heights in society. and the falling out between Marie Antoinette (Lucy Boynton) and her court.
check out our other Chevalier interview:
Chevalier Currently playing in theaters.
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