[ad_1]
“at the heights” and “Scream VI” actress Melissa Barrera the star ofcarmen]Director’s first work from a choreographer Benjamin MillepiedBased on the classic opera, this musical is a modern adaptation of the character of Barrera, who seeks freedom and seeks freedom, as the story of an immigrant who travels from Mexico to Los Angeles and discovers himself. Paul Mescal Star opposite her as a star-crossed lover.
Read more: ‘Scream’ Franchise Star Melissa Barrera Reunites with Radio Silence Filmmakers to Create Mystery Monster Thriller for Universal
Barrera is Stars Series “life,” has made a name for herself as a formidable singer and dancer, as evidenced by her work in “In the Heights” and “Carmen.” We spoke to the actress about classifying herself as a dancer, her fascination with working with Millepied, and learning the strength of body language in her films.
What first drew you to the story, and this character in particular?
It was a combination of many things. When I first heard about the film and listened to the self-tape breakdown, it basically said Benjamin Millepied was making his directorial debut. i know him is the choreographer ofblack swan,”I am a huge fan and I know this is going to be incredible because he directs. I also know I thought the idea of a choreographer directing a film was exactly the type of thing I gravitated toward.
It’s clearly a “Carmen” trait because the character is so iconic. I’m Mexican, not an opera singer, so I never thought I’d get the chance to play Carmen after millions of years. They tell this story a lot in Europe. The story is from France and I ended up in Spain, never thinking I would get the opportunity as a Mexican actress. There were many things that attracted me.
And after meeting with Benjamin and getting the script, I knew it was an immigration story. When I first moved to I was only called out for immigration stories and cartel related stories and characters. It’s very tragic and always portrayed in a negative light.
When I saw the story of this Mexican immigrant woman told through dance and movement in a beautiful, romantic and epic way, I thought it was a way I had never seen before. Because it reaches a wider audience who would normally refuse to see how this story goes. It doesn’t feel preachy, so it’s a way to reach them, not like we’re trying to teach you the realities of the world. I am asking you to do
What did you enjoy most about working with Benjamin Millepied?
Ben was a lot of fun to work with. On set, he created the most beautiful and positive environment. Since this was his first film, he was like a little kid in a candy store with a big smile on his face every day. Even in stressful moments, he found a joke in it and kept everything light. We were very lucky and happy.
He is very supportive and the epitome of the best ideas wins. He is keen on experiments and is very trustworthy. I started to fall in love with movies in 2018, but aside from the “Vida” season, I didn’t have many credits in America, so I didn’t feel like my voice was important to anyone. I did. I feel like my voice mattered and my opinion mattered. We went to lunch and we talked about the script and he wrote down my suggestions and sent me a new version of the scene incorporating my ideas. I never felt so listened to.
You’ve been involved in several musicals, is there anything you particularly enjoy doing in the process?
“Carmen” It taught me a lot about body language. I did “In the Heights” I used to have to dance in that movie, but it was very different from what I had to do In “Carmen”. The character Carmen dances her language. It’s literally how she expresses her feelings, how she communicates. I had the opportunity to be in the dance rehearsal room for weeks before shooting, and I got to know how Carmen moves every inch of her body, so once I got on set, I was able to find the character much faster. I didn’t try things out or see what worked for the first few scenes. . I wish I could do that for every character I play.
In an interview you said you weren’t a dancer. Does that mean you have no professional training? Because you certainly look like a dancer to those who are watching.
The choreographer of “In the Heights” always gets angry when I say I’m not a dancer. But when I say I’m not a dancer, it’s absolutely true. I am not a professionally trained dancer. I have a lot of respect for dancers. What they put into their bodies, long hours and sacrifices. Most professional dancers have been doing it since they were two years old. It’s their life and their bodies go through a lot of trauma because of it and learn to live in pain because of it. I had to go to musical theater school and take dance lessons, but I never thought of myself as a dancer. I thought it was necessary.I’m not a dancer.
Obviously, my job is to make people believe that I am the dancer in this film. Mo gasps, “What? I’m not a dancer, so nobody needs to know that. But it’s not shameful, I just want to be honest. I can dance and I can choreograph.” I’m an actor that can be learned, if you rehearse enough you can make me think I’m a dancer, but I respect the profession too much.
“Carmen” is now playing in select theaters.
[ad_2]
Source link
