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We’re a quarter away from 2023, but so far it’s shaping up to be a phenomenal year for Australian music. But April’s slate proves that our local hitmakers are just warming up. The 10th album of punk guru Frenzal Lombu.
With the first full-length albums from Moody Beaches and Sunfruits, plus the long-awaited debut EP from TikTok superstar Peach PRC, it’s also the perfect month for debut efforts. Floodlights, Deuce and Chris Lanzon have also put out his second record, while Terry’s Underground his Melbourne heavyweight has put out his fourth. Needless to say, we have a big month of playlist building ahead…
cub sports
“Jesus at the Gay Bar”
Named after a moving poem by Jay Hulme, ‘Jesus At The Gay Bar’ is a very personal album for Cub Sport’s Tim Nelson (as he explained it). NME in January). It’s a record of liberation and catharsis, with Nelson looking back in his closet to his past, embracing his proud, proud present, and looking straight into an ultra-bright future with infectious optimism.
Slow-burning songs like “Keep Me Safe” anchor the record in heartbreaking emotional territory, but when Nelson called LP5 Cub Sport’s “most dance-forward, party-focused album” yet , was no joke. The follow-up to early previews “Always Got The Love” and “Replay” and “Like Nirvana” was made with the dance floor in mind. But really, anywhere you hear ‘Jesus At The Gay Bar’ can (and definitely should) be a dance floor. Ellie Robinson
Cub Sport’s ‘Jesus At The Gay Bar’ will be released on Believe on April 7th.
Frenzal Lombu
“Plague Cup”
Like Hrenthal Lom, ‘The Cup Of Pestilence’ is dizzying and subversive in every way, packed with loose, exuberant, shred-heavy punk jams and many intrepid teenagers. Prepared to soundtrack our growth. But like their last two works (2017’s ‘Hi-Vis High Tea’ and 2011’s ‘Smoko At The Pet Food Factory’), the irreverent pioneers’ tenth album Punk genius Bill Stevenson (of Descendents fame)’s celebrated studio The Blasting Room – punchy and gritty, pleasantly rough around the edges while simultaneously being hell-tight and musically rich, It boasts some of the band’s most creative and ambitious work.
Lindsay McDougall especially shines here, his fretwork deftly straddling the line between technical and turbulent. Highlights include his infectious solo on ‘Horse Meat’ and soaring ‘Thought It Was Yoga But It Was Ketamine’ which serves as the album’s closing. teeth
Frenzal Rhomb’s ‘The Cup Of Pestilence’ is out April 7th via Virgin Music Australia.
terry
“Call me Terry”
Featuring members of Total Control, Primo and other popular underground acts, the Melbourne band returns with another of their most sonically adventurous, buzzy and off-kilter gems to date. Songs like “Centuries” and “Gronks” mingle with the bouncy power of 2018’s “I’m Terry” and his pop, but much of the album takes the listener into more sensitive territory. increase.
The album especially shines when building collage soundscapes of guitars, chirping synths, strings and thundering saxophones, not to mention vocals from all four members. Lyrically, the band is characteristically sharp, confronting colonial Australia’s corrupt past, present, and most flashy display of excesses and entitlements. Alex Gallagher
Terry’s ‘Call Me Terry’ is out April 14th on Anti Fade Records.
flood light
“Painting of My Time”
Floodlights’ sophomore album inherits the emotionally raw, honest songwriting and vibrant energy of their 2020 debut, From A View, turning its relative sparseness into a fuller sound. replacing. and immediacy.
Like its predecessor, this album is guided by storytelling. The narrative and observation unfold with frontman Lewis Parsons’ distinctive squeak, always growing to huge anthemic heights with evocative harmonies and shared refrains. Songs like this can make the difference between life and death depending on the streamer’s beliefs, and on “Painting Of My Time,” it’s clear the band means every word and believes every note. AG
Floodlights’ Painting Of My Time is out April 21st.
Moody Beach
“Acid Ocean”
‘Acidic’ is the right word to describe this debut full-length, with ‘Dig Me Out’-era Sleater Kinney singing The Lizard of Jesus.
Distorted bass (a refreshing high in the mix), strong drumming, and sharp, fuzzed-out guitars create a thrilling and unsettling tension that pervades the trio’s ultra-tight musical chemistry. Their melodious harmonies are a highlight in every appearance, along with her lead singer/guitarist Anna on tracks like “The Suburbs” and “Counting Reasons” and her Lien-Hop brilliant falsetto. AG
Moody Beaches’ ‘Acid Ocean’ is out April 21st on Poison City Records.
Cash Savage and the Last Drink
‘So this is love‘na
Cash Savage and the Last Drinks released their fourth album (2018’s ‘Good Citizens’) just 10 months after their third album (2017’s ‘One Of Us’). Now that it’s out, it’s only natural to take a little break before putting out the next album. one.
Five years of silence led the Savages. In their most considered body of work – a little tighter, cleaner and less abrasive than their predecessors, but no less evocative and visceral. Executes the full range of 7’s musicality, from sharp and intense. teeth
Cash Savage And The Last Drinks’ ‘So This Is Love’ is out April 28th on Mistletone.
Deuce
“wild type”
Deuce started as a lockdown project for Curtis Wakeling of The Ocean Party and artist Kayleigh Heydon. Their eponymous Home His recorded 2021 album was a surprise and a lo-fi his pop delight. “Wild Type” is much bigger, with more complex arrangements, fuller production and a warmer feel.
Bright, jingling guitar melodies shine freely over live drums and bass, while Wakeling and Haydon’s vocals weave gorgeously on songs like “Blue” and the album’s title track. It’s a joy to see the duo’s vision for the project brought to life on a life-size scale, bursting with color and texture. AG
Deuce’s ‘Wild Type’ is out April 28th on Dinosaur City Records.
peach china
“Manic Dream Pixie”
Rising to stardom with solo hits like “God Is A Freak” and “Forever Drunk,” Peach PRC’s debut EP adds a wealth of new colors to the quirky, saccharine hyper-pop palette. She leans into the “manic dream her pixie” trope, which is embodied in her six tracks, and tackles various forms of love in all of her songs. Her journey as a queer woman, “Perfect For You,” is a suffix her pop her anthem for girls who longed for straight teenage friends.
Later in the mix, straight love songs such as ‘Favourite Person’ and ‘Loved You Before’ are given.“We must have been a bug couple / Just living in the mud / Happily in love and doing bug things.”) – meanwhile, “FU Goodbye” is an ultra-glossy breakup anthem (also a spiritual successor to debut single “Josh”), and “Dear Inner Child” explores her childhood trauma and the way she was. It is a love letter to my former self that reflects.I made her into an adult form. teeth
Peach PRC’s ‘Manic Dream Pixie’ will be released on April 28th via Island Records Australia/Republic Records.
sun fruit
“One Degree”
The psych-pop group’s debut album is kaleidoscope-yet-frenetic, a kind of euphoric ear candy that kicks your brain like a sudden dopamine rush. There’s an element of time travel here too, taking lovingly nostalgic cues from ’60s psych and pouring it through an ultra-modern high-def lens.
A twist on the seemingly bubbly, blissful fuzz, the band grapples with larger issues, coping with environmental collapse and the burden of trying to be good, empathetic humans while navigating hellish situations. The thing is, it’s kind of like a Trojan horse. AG
Sunfruits’ ‘One Degree’ is out on April 28th via Third Eye Stimuli Records.
Chris Lanzon
‘dark side’
If the singles give any hint, Chris Lanzon’s sophomore EP ‘Dark Side’ follows 2020’s lucid and heartfelt six-track ‘Melancholy’. , showing the incredible breadth of musical growth for Sydney artists over the course of three years.
The title track is as impactful as it is energetic, with punchy drums, layered harmonies and ultra-coloured guitars enhancing its understated fantasy. Last month’s “Rollercoaster” is another gem of guitar pop that’s contagious thanks to its rich, roomy production. Lanzon hasn’t become a household name yet, but with this powerful song and compelling charisma, it won’t last very long. teeth
Chris Lanzon’s ‘Dark Side’ will be released later in April on Hunnydew Recordings.
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