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There was a time in the 90’s and 00’s when the country was considered too poppy for the mainstream. It’s been almost 20 years since Flashforward, and he’s now considered a classic to new fans and those of us who’ve heard the hits. And his nostalgic ’90s country soundtrack wouldn’t be complete without Geordie adding his Messina to the mix. Messina was the first woman in country music history to hold her No. 1 spot for three consecutive weeks during this era. To date, she has had her two platinum certified albums and her three gold certified albums and has been nominated for two Grammy Awards. Now, Messina has just kicked off her 45+ headliner tour titled ‘Heads She’s Carolina Tales California Tour’ and she’ll be stopping by Tavern and Music Hall in Tanna Hill on April 14th.
In preparation for her visit to Cowtown, fort worth magazine We had the chance to speak with Messina about motherhood, the ceremonies of touring, and the release of her new single and album.
FW: What inspired you to get back on tour and headlining a tour?
JDM: In fact, we never stopped touring. Like everyone else, we took a hiatus due to COVID and toured at a slower pace last year. We’ve had a few make-up updates since COVID and have been on a few new dates here and there, but this is our first year back on a full tour.
FW: Tell us about your first foray into vinyl
JDM: About a week ago we released a vinyl album of Greatest Hits. This is the first time I have pressed anything with vinyl. This album has 11 of my top his songs and I really enjoyed it. It has revived my popularity among fans through streaming to the point where I really have to say how popular my songs are. I started noticing some children.
FW: How was it that Kelly Clarkson paid tribute to you with his rendition of “Bye, Bye” last September?
JDM: Kelly Clarkson. Behind that voice is something of a miracle. It was a lot of fun and then she arranged it differently. It was just awesome… just sitting back and watching her do it and appreciating it was amazing. But also kids and people the age of Kelly Clarkson , has become a fan base that knows music.
FM: Given the opportunity, which artist would you like to duet with?
JDM: I’ve always wanted to do something with either Bonnie Raitt or James Taylor. Ever since I was a kid, I’ve wanted to do something like this. This is kind of what Kelly[Clarkson]did with my song. I would love to do something with Kelly and Pink.
FM: How do you feel about 90s country being considered a classic?
JDM: It’s very interesting because in the ’90s people said it wasn’t country music. I remember the record company saying “I’m Alright” wasn’t considered a single because it wasn’t country. And looking back now, steel guitars were used from the beginning. People hear it and say, ‘This is a classic,’ but that wasn’t the case at the time. People like Faith (Hill) and Shania (Twain) have struggled from the public on this matter. Everything is considered classic now.
FM: Tell us about your new single “Just To Be Loved”.
JDM: I met up with some great songwriters in Nashville. One of them was Tim Nichols, who wrote “Heads in Carolina…” and started talking about how perceptions of young adults and her teens are changing. I have his son who just turned 14 and he doesn’t have a cell phone. We had our house phone and saw some of the texts from the girls and were like, ‘What’s going on? She’s a fearless, garden-wandering type of girl who doesn’t care about the world, but one day social doors open for her. This began to change who she was, just to be loved. And in reality, God loves us for who we are. It’s kind of heartbreak, and this scenario is something we talked about when putting this song together. This 16-year-old girl, she felt she could never measure herself. And that’s the flavor of the song.
FM: Do you use music as a means of communication with teenagers?
JDM: I think you’re using your past experiences as lessons. I walked that path and sold myself to be accepted. So in my music career, when I first started, I had a team of people who told me how I should look and how I should behave. , I had to fix myself until I did a photo shoot that I didn’t even recognize myself. This team of people around me told me I was so beautiful. One for hair, one for makeup, one for wardrobe, and one for lighting. I could never replicate this look myself. So when I see kids doing this now, I’m like, ‘No, don’t do it. I think this image is unnecessary because God made you the way He wanted you to be. It is different and not all the same.
FM: Are there any tour rituals or superstitions?
JDM: Every day I go out and do sound checks. Not many artists do this before a show. Another ritual we do is a band where I get together and sing some songs. The first sound on stage is not the first time we see each other, nor is it the first time we sing together. This puts us all in the same headspace as we walk to the stage. We were singing along.
FM: You talked about your new single, but could you tell us about your new album release?
JDM: The album mastering work started yesterday. I went to Nashville to collaborate with some great writers. I just made a song called ‘Tell the Truth’ in collaboration with Brenley Brown and it gives me a life lesson. This song is about answering with truth or thinking there should be an answer. My assistant always asks me, “What do you want to tell me?” And I say, “What about the truth?” The truth cannot be argued with. On this album, I’m really writing from life experience. No new album name yet. Not yet decided. But everything on this album is single-oriented, so I’m concentrating on singles first.
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