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“Catchin’ Grasshoppers” from the first posthumous collection
Kenny Rogers’ first posthumous album life is like a songDue out June 2nd via UMe, it’s a heartfelt collection of songs that were close and dear to the late legend, but mostly never released. One of his unreleased treasures currently available for streaming and download is ‘Catchin’ Grasshoppers’. This is the centerpiece of an amazingly emotional cycle of new songs featuring unreleased cuts and coveted rarities that tell stories of love, life, loss and faith. between Rogers and his family. A very personal ode to Rogers’ twin sons Wanda Rogers, Justin and Jordan, “Catchin’ Grasshoppers” was written by Laura McCall Torno and Earl Torno and was written by Rodgers and Randy Dorman. (member of Rodgers’ band Bloodline) was in charge of producing. 1970s onwards). In this moving song, Rodgers enjoys a quiet and precious memory with his young children, who are now 18 years old. Rogers sings: My children’s eyes/When they were five, they were shining like stars/Yeah, I remember/Caught a grasshopper. ”
Curated and executive produced by Wanda Rogers, the widow of Country Music Hall of Fame inductee Wanda Rogers, the album features eight never-before-seen recordings from 2008-2011. It showcases Rodgers’ breadth through a series of original songs and covers, including interpretations of. Clapton’s “Wonderful Tonight,” Lionel Richie’s “Goodbye,” and the artist’s long-desired duet with Dolly Parton, “Tell Me That You Love Me.” The Digital Deluxe Edition includes her two bonus tracks. A cover of the Mac Gordon/Henry Warren standard “At Last” (made famous by Etta James) and the original “Say Hello to Heaven” written by Buddy Hyatt. Life Is Like A Song will be available on CD and vinyl, as well as digitally. The release marks Rodgers’ first new non-Christmas studio album in a decade, and the only non-compilation/non-reissued full-length album released on vinyl since 1991.
“I think this record is great and Kenny would be very proud,” says Wanda Rogers. “These songs are such a beautiful reminder of his love for people ‘for the feelings they create’. He often said he wanted his songs to be “what every man wants to say, what every woman wants to hear”. I think this album has a lot of those moments. This is a very special record for me and our family. Because it really tells the story of the life we spent together. I also think his fans will resonate a lot as he guides listeners through the seasons of life that we all go through. in any kind of way. There’s joy, there’s love, there’s family, there’s anxiety, there’s pain, there’s faith… it’s emotional and real. This is the kind of music Kenny loved to make. ”
“Catchin’ Grasshoppers” follows last month’s release of two songs showcasing different aspects of Rodgers’ artistry and breadth of these recordings. The album’s opener, “Love Is A Drug,” is a hard-driving, fist-pumping country-rock song co-written with Rodgers’ longtime musical partner and former New Christy Minstrels bandmate, Kim Carnes. Anthem. At the other end of the spectrum is the Motown classic “I Wish It Could Rain,” originally made a hit by the Temptations. Breathed to life with new instrumentation from acclaimed producer Kyle Lehning and popular musician and producer Viktor Krauss, who co-directed Rodgers’ recordings, this ballad harks back to Rodgers’ classic soft rock days. .
Similarly, “Straight Into Love,” a duet with Australian country star Jamie O’Neill, helmed by award-winning producer Brent Maher, a veteran of Rodgers’ work, cherishes time with loved ones. I’m singing to do
In another duet on the album, Rodgers is paired with longtime friend, collaborator and fellow icon Dolly Parton. The duo, who kicked off their chart-topping musical partnership with 1983’s “Islands in the Stream,” entered the studio in mid-August to record “Tell Me That You Love Me.” We met again at Led by veteran producer and record exec Tony Brown (George Strait, Vince Gill, Reba McIntyre), the song originally appeared on the 2009 compilation. A remixed version of this long out-of-print and unreleased edition is now available for the first time on digital platforms and vinyl, and in this form for the first time on CD.
Sessions with Brown also resulted in Rodgers performing “Goodbye,” written by another friend and frequent collaborator, Lionel Richie. This emotional song that closes out the album offers fans a particularly poignant ending. The song has long been a fan favorite since it first appeared in his aforementioned 2009 anthology. After Rodgers passed away in 2020 at the age of 81, the song became a pleasant musical scent. A moving lyric video for the song was shown at Rodgers’ memorial service in 2022.
Rogers also gives an outstanding take on Eric Clapton’s “Wonderful Tonight.” The song features newly recorded music in his bed, courtesy of Lehning (who credits Rogers for over 40 years) and Klaus. With acoustic guitar backing, Rodgers makes this classic ballad his own, while Lehning and Krause complement Rodgers with gentle orchestration.
Written by Larry Keith and Jim Hart, “Am I Too Late” is one of Rodgers’ self-proclaimed favorite songs. Originally cut for Rodgers’ 1977 hit album, daytime friends, where the song is reimagined as a duet with strong vocalist Kim Keyes (Billy Joel, Amy Grant, Peter Cetera). Written by Gary Burr and Jim Fotoglo, “That’s Love to Me” is the quintessentially beautiful love song of Kenny Rogers. Rodgers’ impassioned vocals shine through on the cinematic “I Will Wait For You” by Legrand/Dumi/Gimbel. When all the waiting is over / When you come back and find me here and run straight into my waiting arms. ”
the track of life is like a song Rodgers himself, Tony Brown, Victor Krause, Kyle Lehning, Brent Maher, and members of Rodgers’ longtime band Bloodline, Randy Doman, Steve Grasmeier (deluxe edition), Warren Hartman, Chuck – Jacobs. The album was executive produced by Wanda Rogers, Ken Levitan and Jason Henke.
Rogers’ 60-year legacy includes over 120 hit singles and nearly 40 studio albums. One of the best-selling artists of all time, with worldwide album sales surpassing his 120 million, Rodgers has achieved great success across his charts in pop, country, AC and rock. A perfect crossover was his star. Her versatility has spanned from her doo-wop days (The Scholars, Kenneth Rodgers) and her work with the Columbia Records jazz trio Bobby Doyle Slee, to her time as a member of the famous folk, singer and songwriter. A writer and musician evident in his early recordings. He acted with the ensemble The New Christy Minstrels, and in 1967 he formed the psychedelic He The First Edition, an eclectic band of rock, country, folk, pop and R&B. After nearly a decade of hits with The First Edition, Rodgers embarked on a solo career, during which he recorded “Lucille” (1977), “The Gambler” (1978) and “Lady”. (1980), and “Island in the Stream” with Dolly Parton (1983).
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