[ad_1]
:: Mudhoney – Plastic Eternity (album, subpop)
Today is Good Friday. It’s definitely Good Friday for all Mudhoney fans and for Mudhoney and his band. Not only has Seattle’s Grange Survivor released a new record, The Great Plastic Eternity (more on that soon), but April 7, 2023 will mark the release of the quartet’s home state, Washington State’s largest county. It was declared the first-ever Mad Honey Day by King County.
We’re not quite sure what the latter news really entails for the veteran outfit and Noise Annoys favourite, who are now celebrating their 35th anniversary with the release of their 11th album, but at least it’s for all King County residents. Listen exclusively to Mudhoney for the entire 24 hours, giving Mark Arm (Guitar/Vox), Steve Turner (Guitar), Dan Peters (Drums) and Guy Madison (Bass) the right to cool off, or let your body Risk inconvenient fines and/or imprisonment Discounted meals, free beer, unlimited free bus trips, all pet food and treats and get one more free when you buy.
Mudhoney is a dog lover and was completely enamored with the new music video introducing Plastic Eternity’s final track, Little Dogs. compact canines.
Written by drummer Dan Peters, the song’s most notable lyrical reference to man’s best friend to this point is “Every neighborhood dog, her “Sniff your crotch” was an offensive metaphorical line. Here comes sickness.
“They make me happy and I laugh when they howl. Watch out for owls if you let them out at night,” Arm advises. Video and press shots of the new record in action.
Much like their upbeat anthem to the joys of surfing and skateboarding, Oh Yeah, which closed out their 2018 predecessor Digital Garbage, Mudhoney called Plastic Eternity on bright, breezy notes like Little Dogs. It’s great to end with Other songs on the record are mood bleak, with lyrics highlighting the absolute trash fire that is modern life, from climate disasters and anti-Vaxers to the corruption that is rampant in the corridors of power around the world.

Plasticity’s sawtooth vocoders and organ-enhanced stop/go riffs connect the dots between pollution and 21st-century superficiality, while on Cry Me An Atmospheric River, Arm is actually a climate disaster itself. It can be seen that it takes the perspective of and happily casts it as a god of vengeance. Turning Earth into a hellish planet as the band blares filthy psychedelic blues boogie while literally raining down bomb cyclone-based fury on the fools who “can’t stop the pollution.”
Fuzzed-out Groove Here Comes The Flood strips Mickey from fools, deliberately ingests horse worm pills to ward off Covid, and the hilariously eerie post-apocalyptic ballad Cascade of Crap , decrying the relentless consumerism that fuels its impending doom, Human Stock Capital offers a reminder of ferocious punk rock. We’re all credit-rated cows to capitalist overlords, and The Sleeper Cell’s Severed Dreams switches between slow ‘n’ Uzi and big ‘n’ frustration, to great effect .
Recent singles “Move Under” and “Almost Everything” show how Mudhoney can easily switch between the catchiness of dirty, three-chord rock’n’roll and more expansive, psychedelia-based attacks (with bongos). is shown. (Excluding the bongos) A fun, funky, wah-wah-addled ode to the founders of Pere Ubu.
A meditative space-rock odyssey, One or Two is a standout song on Plastic Eternity and one of three songs that producer Johnny Sangster has been credited with writing. He seems to help bring out the weirder, more experimental side of their sound.

“Everyone tells me, I’m glad I’m back – I can’t say I don’t know where I am,” croons Arm on album opener Souvenir of My Trip. The chorus’ big, powerful rips and lamentable guitar overuses should reassure listeners that he and the rest of the band are where they need to be.
Sure, it might be a dirty job to toil at the forefront of garage-punk psychedelia, but Plastic Eternity proves Mudhoney can do just that.
Make Mudhoney Day international by listening to music on your favorite streaming service and ordering a physical copy of Plastic Eternity on non-biodegradable Loser Edition LP, CD and/or cassette from Mudhoneyloser.bigcartel.com. Please make it a thing.
:: Friday Fest at Oh Yeah Belfast

Finally, this week’s thrilling Noise Annoys article is a reminder that local music fans are in for a long, loud Good Friday at Belfast’s Oh Yeah tonight. From 6pm until late at night, we promise a deafeningly fun start to Easter.
Belfast’s trio, joined by headliners Axis Of and Problem Patterns, Fruity, Yinyang, Susi Pagel, Jock and Tessio, is an impressively diverse line-up by any measure.
Tickets were still available in advance at press time via ohyeahbelfast.com and were priced at a very reasonable £14. That’s just £1.75 per act (counting on your fingers).
[ad_2]
Source link