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Dragon Slayer It follows Galen Bloodwarden, a young wizard apprentice who must help a village threatened by dragons. Kings have sacrificed young virgin women to appease dragons. Garen finds an unexpected wealth of courage and uses a magical amulet that gives him the power to defeat dragons.
Dragon Slayer Released in theaters in 1981. Dragon Slayer Directed by Matthew Robbins and written by Robbins and Hal Burwood. Dragon Slayer Starring Peter MacNicol, Kaitlyn Clarke, Ralph Richardson, John Hallam, Peter Eyre and Albert Salmi.
screen rant We spoke to director Matthew Robbins Dragon Slayer Remastered and released in 4K Ultra HD. Robbins recounts his memories of making the film and what it was like to create a new commentary for the film. Dragon Slayer with Guillermo del Toro. He also reveals some of his influences on the film. Star Warsdisney fantasia, Kurosawaand of Lord of the Ring.
Dragonslayer Matthew Robbins
Screen Rant: What’s your favorite memory from working on it? Dragon Slayer?
Matthew Robbins: You could say I worked with Sir Ralph Richardson, production designer Elliot Scott, and the ILM team who were finally released from their cosmic prison and allowed to run through the forests of medieval England. . That is my fondest memory. I love film editor Tony Lawson. We had a very friendly group.
Hal and I used to live in Marin, where we still live, but ran away from the studio. Co-produced by Disney Paramount. We shot the movie in London, so it was also nice to be out of the direct shadow of the studio head. It was also a pleasure because it was done.
Too many movies rely on CG for large creature features and set pieces. You guys used a mix of visual and practical effects. Do you think we’ve lost something as filmmakers move away from practical effects?
Matthew Robbins: I think something is missing, but I don’t think it’s because of what you’re saying. I attribute it to storytelling and scripting.
Looking back on my career, I’ve spent a lot of time with Guillermo [del Toro], and he’s a huge fan of homemade movies and this is a whole topic we can talk about. , has some dimension, has a complex emotional reality, and is caught up in something unpredictable. And nervously, you don’t really think about executing the effect.
For our Dragon Slayer, dragons are integrated into the story. Because it’s the real world. Dragons are real. What would happen if we injected a fantasy element into such a real world? And that’s the problem. So the question of how it’s done doesn’t really bother me.
There are a lot of days with this that I really wish I had the technology to get me through the day and do what I originally wanted to do, but I didn’t.
“I’m sorry, Mr. Robbins, I can’t do that. I’m sorry.” They barely survived. Our pain when dealing with things on that level was insane.
For me, with the rise of the CG movement, it’s not the CG itself that pisses me off. It’s the fact that writes are big. I remember when zoom lenses became a fad for directors. Everyone was zooming in and it was terrible. To put the same thing on a larger scale with regard to creativity, if you have mediocre material and you’re going to bring it to life, it should always be spectacular. There are these beautifully executed scenes, with clouds flying by, and it’s a spectacular panorama.
of course.
Matthew Robbins: I see. So you’re going to criticize, “Oh, these CG guys are all so proud of their work. Oh, the depth is working.” And the main subject. I’m in soapbox right now, sorry. But here is my comment on the subject. I mean, if you’re not involved, if you have no experience being with them and taking care of them, to me the whole issue is a footnote question of how you did it.
what was your experience Dragon Slayer As a viewer of Guillermo del Toro who gave the commentary?
Matthew Robbins: Oh my god. Well, we’ve known each other for 25 years or so. When I met him in Guadalajara, there was a workshop. His Institute at Sundance sent me, along with a few other Americans, to mingle with up-and-coming talent in Mexico. As such, we mostly talked about Dragon Slayer when we were just beginning our friendship.
can’t believe it.
Matthew Robbins: And we’ve done endless projects together. We wrote, it has to be like 10 or 11 screenplays together. I spent a lot of time carrying things. He came to San Francisco often, but I knew we weren’t talking about Dragonslayer anymore. We were talking about other things, we were doing all the content.
But out of the blue, Paramount contacted me and said, “We’re doing this restoration, would you like to join us?” I said, “Are you kidding me?” I didn’t believe it. And they said, “As a bonus, do you have any conversations with other filmmakers?” “Yeah, yeah, I know exactly who it should be.”
My only regret is they didn’t give us a box of popcorn. He is very persuasive, charming, smart and observant. He chose many that no one else had. he is Guillermo Of course it was a great pleasure.
When I rewatched Dragonslayer over the weekend, I felt like a kid again. Dragon Slayer Will continue to fascinate fans even after 40 years!?
Matthew Robbins: I’m not sure I can answer that. Because, to be honest, I didn’t realize I had fans until very recently.
is that so?
Matthew Robbins: Yeah. Sometimes I meet other people. Guillermo was enthusiastic and I have been to workshops and festivals.
But no, we’re not kidding. The wave of enthusiasm and interest in this film came as a huge shock to me. A little while ago, I received an email from Paramount that their presale on Amazon was setting records. It seemed like the best action-adventure DVD. I didn’t know, hadn’t heard of it. What can I say, except that it’s like the movie gods looking down and smiling.
i love you breaking the impact Star Wars In “Welcome to Cragganmore”.Can you tell us a little more about other films that have influenced you? Dragon Slayer?
Matthew Robbins: Hal Burwood and I are huge Fantasia fans, and Mickey as a Sorcerer’s Apprentice lost control of his magic. we laughed a lot. And as we were crafting this story, Hal convinced me that I had to read the Lord of the Rings trilogy. And at the time, it was not unknown, but it was kind of alienated and cultish.
The way Peter Jackson made it was not center stage. So we were very influenced by it. I was and still am a huge Kurosawa fan, loved Shichinin no Samurai, and the idea of a delegation working for Nannin Samurai asking for help inspired the film. do you want?
Oh absolutely.That is, it Star Wars Typically.
Matthew Robbins: Well, all of us, George included, were huge Kurosawa fans. And that they sent this delegation means that the outlaws are raiding their village. Well, in our room a dragon was burning her virginity. So I think we were influenced by that — we were, actually. I think that’s my best answer for now.
while working Dragon Slayerhow has it helped you throughout your career?
Matthew Robbins: This was just my second feature. I was very unsure of how far I could go with Dragonslayer, so I learned a lot about being confident enough to ask for things. was a little naive. We were making shots and learned what the limits were, so we needed to learn more about ILM. So it influenced my future work involving special effects, and it was important.
But what I’ve learned over the years is that you don’t get as much out of Dragonslayer as working with actors. I began to understand the problems that actors face when I had to imbue them with a film, and I learned to listen to them.
I’m not talking about Dragonslayer specifically, but that part of the directing was important to me. It’s much more interesting to face, so it’s influenced my way of thinking about what happens on screen.
Actors see the story through certain eyes, and having that kind of vision when you’re writing a film really helps your writing. So if you can look at it from the actor’s perspective, the actor will be like, ‘What do you want here? What happened? Where did it happen? Do you want to go with me? ’ So it was really one of the formative things that was going on at the time, part of what I’m describing now. It’s not specific to Dragonslayer, but it’s the best way I can answer.
My growth as a filmmaker was influenced by the fact that I had to sit with actors and tell stories through a series of eyes that weren’t necessarily looking at things. In other words, it’s a way of giving the character the necessary dimension as you’re writing it.
do you want to continue Dragon Slayer what a story willow After the movie event, I picked up something like what I did on Disney Plus willow?
Matthew Robbins: Yes. The temptation is there now, I was asked about it. Coming and maybe because I’m not that simple. for a moment. Perhaps there is another being lurking somewhere underground ready for this part of the human experience to return. The emerging struggle between worldviews may have a very interesting background.
That is wonderful. What would you like to say to the new generation of fantasy fans that are discovering? Dragon Slayer first time?
Matthew Robbins: Thanks for seeing it as designed. I am grateful that Uncle Matthew no longer has to stand up and apologize, because he can be proud of it again.
This hasn’t been true for a long time, but it was a half-forgotten movie and kind of a beloved hidden gem. Forgive me for trespassing when things go wrong, but we were ambitious. Please try to remember the
About Dragon Slayer
A young wizard apprentice is sent to kill a dragon that is devouring young women and terrorizing the kingdom. With the help of his magical amulet, a young woman in the village, and a princess, he will find the courage to fight the fire-breathing creatures.
Dragon Slayer Remastered in 4K Ultra HD and available for purchase now.
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