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“Love & Death” is set in the late ’70s suburb of Dallas, Wiley, but to bring the small town to life for a true crime series, the production designers took Suzuki Ingelslev We’ve found the best old-fashioned locales around the Texas capital. “Dallas has grown so big that these towns have grown too, so they’re no longer typical American towns,” she told Gold Derby.look up). “Eventually we found Austin as our home base and found the best town there. It was amazing. Some towns were actually stuck in time. There was a lot going on, but the bones were already there and we were able to create the kind of world we wanted our characters to live in.”
The world is a picturesque church-going community, and on the surface everything looks quaint, lovely and “normal.” The collapse of that utopia candy montgomery (Elizabeth Olsen) accused of murdering her friend, Betty Gore (lily rave), with an ax after Candy and Betty’s husband’s affair, Alan Gore (Jesse Plemons). Candy and Betty are polar opposites, and Ingelslev wanted to convey that in their home. “Set is the character in this piece because what happened to these two women of hers, how they lived, what brought them to this situation. Because I want to understand,” she says. “So I was trying to let viewers make their own guesses as to who they were.”
While the exterior of their home is a real home, Ingerslev and her team built the interior in a warehouse — she estimates she built over 100 sets for the entire show — and the actual interior materials. For both houses (except Betty’s), Ingelslev was free to lay them out. “It was more about what we could do to the script and where the neighbors could systematically follow them through the house and uncover the murder as written,” she says. .
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Candy’s home is brighter, airier, and more colorful, with an open kitchen where she spends an enormous amount of time cooking. All this reflects her cheerful and ambitious personality. As she says so often, she wants more out of her life, and she’s the one who told Alan head-on that she wanted to be in a relationship with him. “Candy was lucky. Her husband did really well. They had the best technology in their home. It was a “happy” type of family. Her stuff is more curated and she feels like she has happier colors and more open spaces for her,” explains Ingerslev. “I’m really glad we put the effort into the kitchen. We feel like we’re always there. It’s very important to me that there’s depth when you look down on the set, and you don’t want to just see the walls.” So they’re always sitting at the counter or at the little table in the breakfast room, because if you look down the hallway, if you look into the living room, you can see the piano and the kid playing the piano. I feel like it gives me a lot.”
At the opposite end of the spectrum, Goa homes feel darker, more traditional, and claustrophobic. Betty was less experimental than Candy (if at all) and also suffered from postpartum depression. “I feel like she’s from a small rural area. She probably had hand-me-down furniture from different eras. That’s why we weren’t all ’70s there.” Ingerslev says. “We felt like we were back on track. I feel like her parents gave her some of their own. In the catalog, she’s more like a Sears or J.C. Penney shopper.” I used to try to fit everything in, and I think everyone did.… So I would describe her as more of a match match, more religious I think it’s a non-sexual type.I feel like Candy’s house was more sexual and Betty’s house was more repressed.That’s also true for Betty’s house through colors such as blue and dark forest. I feel like it’s being expressed.”
Later in the series, the viewer finds a new home, i.e. Don Crowder (Tom Pelfrey), Candy’s lawyer. His office is covered in taxidermy from floor to ceiling. “We had a lot of fun because Don Crowder was kind of a showman. [‘Evidence of Love’], he was tanned and good looking and all about being this kind of lawyer who would succeed in the field he was in. And it was Texas, so we had to bring Texas somewhere,” says Ingerslev. “A lot of the houses I went to felt like they had stuffed animals and I thought, ‘This is perfect for him.’ I don’t think so, but oh my God, I’m going to give this to Don Crowder – it’s a lot of fun.”
But the biggest feature is Don’s desk with a terrarium with lights.set the decorator Gabriela Villarreal I found the desk on Facebook Marketplace. “She was like, ‘Isn’t that too much?'” And I thought, “Oh no!” It is a such a fool! Now let’s have some fun,” recalls Ingerslev. “And we built a terrarium in it. I think there are rattlesnakes, armadillos, and other animals in there. And we were like, ‘I don’t know if they’ll make this happen, but this desk How wonderful would that be?” I thought. We are really proud of this work. Then, I know, Warner Bros. Prophouse took it over. So this work will be taken into a good house and will stay and live somewhere. …I thought about taking it, but I was like, ‘What does this take? “I thought. “
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