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Are you planning a barbecue with your family? Want a soundtrack that makes a grandpa jump in his apron or a toddler gleefully sticking his tongue out on a kebab skewer? We’ve got you covered with this bright collection of album‘s solid, welcoming hook sounds so familiar that after listening to a few Pim songs, your mom will sing along too and tell you how much she loved these songs in the late ’70s. This was their conscious plan. Drummer and co-lead singer Nick Jonas said fans now bring both children and parents to their shows, and the trio hoped their latest record would “speak to people of all walks of life and ages.” explained.
In a recent interview, the wholesome, handsome brothers (all in their 30s now) explained that they delved into their childhood influences to make this record. Hats off to the warm AM radio grooves of Stevie Wonder, Earth, Wind & Fire, the Doobie Brothers and the Bee Gees. Nick recalls listening to the music in his car with his father. The Gibb brothers’ tight-knit three-part harmonies are emulated throughout (although not in a frenetic mosquito-on-helium pitch). Lyrically, it’s a celebration of a happy family.
Most of the songs are built from low synth/organ grooves. If you’ve heard the Stevie Wonder-indebted single “Wings,” you’ll remember the sound of the “Superstition” era. “You are the sun!” album Create a safe wedding disco option after the DJ leaves). A quick look at the tracklist reveals that this is an upbeat production. Titles include “miracle” and “celebrate!” And “Summer Baby”. A rare moment of domestic conflict is alluded to in “Waffle House”‘s shimmering Hall & Oatesy synths. “There were nights when we tried to kill each other,” they confess, reflecting on their altercations on tour. But the apparently “stubborn” youngsters always seemed to settle their disagreements in “deep conversations at Waffle House.” Their energy of vintage optimism is irresistible in the moment, but I suspect it will be forgotten in the long run.
The band takes on a slightly gnomic vibe with “Summer in the Hamptons”, which celebrates the joys of “sex like summer in the Hamptons”. What does this mean? Is it the kind of preppy, classy sex that most of us can’t afford? Are deck shoes, pearls, and the services of a luxury real estate agent what makes sex a fetish? Oh who cares? In the background you can hear crashing waves, richly vocoded vocals, and carefree acoustic guitar splashes that graze stone. Don’t overthink it. They just want you to feel like you’re enjoying your vacation. Backed by piano on “Vacation Eyes,” inspired by both the cozy soft rock of America’s 1972 hit “Ventura Highway,” and the story of Kevin meeting his wife, Danielle, while on vacation. With their smooth tunes, they clearly understood their goal.
The Jonas brothers are all now fathers, and “Little Bird” is a tender hymn to dancing with their daughter, gently singing about the joy of holding one’s own “little hand.” “Because I know I’m doing my job right,” they sing, “there will be fewer nights like this…and you’ll fly into someone’s arms.” Oh wow. The album ends with a chorus of “Walls”. It’s the closest thing to a soaring set like Leiter (the brothers believe Oasis’ Wonderwall and Paul McCartney’s “Hey Jude” provided the blueprint for it), and a snarling sound. It’s elevated by a slightly psychedelic organ riff.
never album Pursue edge and originality. But to deny the lovingly crafted, welcoming atmosphere, you’d have to be the Grinch of the BBQ. Pure and safe sonic ketchup.
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