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Sweaty and grinning, Jelly Roll took the stage inside the Ryman Auditorium Wednesday night to take his hometown to church.
The 38-year-old rapper-turned-crooner is returning to Mother Church this week as Jason Deford, a working-class native of Nashville, Antioch, to record his upcoming country album, Whitshit.・To celebrate the Chapel. He played the album in full, delivering a collection of songs about sin on Saturday nights and sanctity on Sunday mornings to gatherings of fans, family and friends. Hours before “Whitsit Chapel” hit stores and streaming services on Friday, audiences flocked to downtown Nashville to hear the song live (many of them for the first time).
“This is going to be a show unlike anything we’ve done before,” said Tattoo, who spent many years in the independent hip-hop scene before breaking into mainstream country and rock music. Deford, a tall ex-convict who got in, said. He added from the stage, “Oh my god (expletive) I can’t believe this sold out at the album release party.”
Headlining the Ryman Auditorium two years ago was a miraculous feat for an artist who once sold T-shirts out of the trunk of his car and built a fan base by doing club shows for a $50 salary. became. After headlining Bridgestone’s arena in 2022 and performing chart-topping songs on country and rock radio, he can now pack into the stands on demand. For two consecutive nights this week, Deford has drawn sold-out crowds to the famous concert hall. On Tuesday night, the singer-songwriter hosted a screening of the Hulu documentary Jelly Roll: Save Me, whose rise from inmate to music-making stardom.
And on Wednesday night, Deford put the spotlight on the next chapter of his career: Whitsit Chapel. Named after the Bell Road church he attended as a boy, the album takes the listener on a so-called “back road baptism” through songs of faith, addiction, love and life in between. With tunes rooted in religious imagery, he basks in self-esteem (in the anthemic “Nail Me”), like-minded followers (in the rock-tinged “The Lost”), and (steel guitar). “Hangover in a”) sang about a long-awaited reunion. Church Pugh”) and her heartbreaking habits (loud-voiced ballad “She”).
“I had to write an album with 14-year-old Jason Deford,” he said, referring to the arrest of several teens, “…and [when] I kept turning my life around. ”
more:Jelly Roll document ‘Save Me’ focuses on artists with messages of salvation beyond music
Onstage, Deford shared anecdotes about making the album, from co-writing with Miranda Lambert to lobbying for marijuana legalization to his friendship with fellow countryman singer Brantley Gilbert. Gilbert took the stage Wednesday for a performance alongside longtime collaborator and Nashville rapper Struggle Jennings. New song “Behind Birds”.
After Jennings and Gilbert, Deford surprised the audience later in the show by inviting rapper Yelawolf to sing a guest verse on album track “Unlive.”
“We are all very proud of you,” said Yelawolf, the Alabama-born rapper who spent his formative years in Nashville. “Face tattoos are cool again.”
Deford closed with encores such as the unflinching “Save Me” and the introspective “Son of a Sinner.” These songs, fueled by a fan base that took every word he said like a Sunday sermon, helped him become a big hit.
“I had to play ‘Whitsitt Chapel’ for you guys before anyone could hear it,” Deford said. He added that he “didn’t want to play anywhere but home.”
Jelly Roll “Whitsitt Chapel” release show setlist
- Halfway to Hell*
- Church*
- Lost One*
- Behind Bars (with Brantley Gilbert and Struggle Jennings)*
- nail me*
- Hold On Me*
- kill a man*
- Unlive (with Yelawolf)*
- she*
- Request Required*
- Dancing with the Devil*
- A hangover at church*
- Encore:
- creature
- bottle and mary jane
- Cover Medley: House of the Rising Sun/Hurricane/Colt 45
- save me*
- son of a sinner
* Focus on songs from upcoming album “Whitsitt Chapel”
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