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Recently, editor Mark Wilshere Spoke to Awards Radar about his work Wu Tang: American SagaYou can watch the conversation below.
Episode 308 is a very unique TV show. What was the process behind that and how was his work with RZA as a director?
When I started Wu Tang: American Sagagraced my desk with GZA’s limited edition instrumental LP Liquid SwordA daily reminder of how lucky I am to work in Wu Universe. At the time, I didn’t know which storyline my episode would tackle, and it was only after I discovered that his third and final episode of the season (episode 308) was titled A few months later. Liquid Swordand it would be inspired by the very album that was on my desk!
RZA kept this story a secret for months while he wrote the script, but it marked his first episode as writer/director of the series. Hip-hop pioneer Music of the 90s has a surprising reference to his video, which nods to the film’s influence. Wizard of Oz, Star Wars, General Assassin, Mad Max, Warriors, West Side Story, and classic kung fu movies. At our first meeting on Zoom, RZA told me: That’s not what we’re doing here. Kurosawa. This is cinema. We will spend some time on this. We assembled his first cut with this in mind, yet when RZA saw it he told him to make it longer and let the footage breathe. He saw everything and wanted to shape it. So it was like editing a movie, not a TV show. I held the shot longer than I normally do on TV. In that regard, it was very liberating because I didn’t fight my instinct to hit the runtime. You can let the story tell you how long it should be.
Working with RZA was a great collaboration. He has a clear, definite vision and knows how to communicate it. We had a short phone call to discuss the underlying ideas behind certain scenes and beats to ensure that the emotional tone landed. It was incredibly rewarding because we had a lot of control over which takes we used and how we established the visual language of the ‘movie’. We decided early on to incorporate pop culture references, Star Wars-We’ve added a style wipe and added some familiar sound effects and musical cues to pay homage to all the references throughout the episode. We worked very well together to create emotional scenes and chip away at them while discovering new ways to tell stories.
The episode also contains numerous Easter eggs and pop culture references. which was your favourite? And how do you decide what to refer to at a given moment?
There is an obvious reference to general assassin, alias lone wolf and childwhose dialogue was sampled and used as the opening for the 1995 album Liquid SwordIt mimics the image of a samurai and a boy in a wheelchair, and also uses the lines sampled at the beginning. Room 4 The same battle scene as the album.I loved the nod to warrior At an abandoned amusement park. What a great find from our production team! References to Star Wars are abundant in this episode. Added a tribute to Princess Leia at the beginning of the episode. “Genius help me. We need you. You’re our only hope.” I felt it was the perfect way to set the tone for what I’m trying to say.
My favorite post is on the Coney Island scene when guys looking for an old dirty bastard come across a gang of women named Roma’s Bitches (R&B). RZA asked me to find her sexy R&B song for this scene. When the women arrived, Master Killer thought he had seen a mirage, so he thought of a song to fit the idea.The most perfect song came to mind: Mariah Carey’s fantasyThe music video featured Ol’ Dirty Bastard and the lyrics felt perfect so far. RZA liked it and stayed in the cut.
both Wu Tang: American Saga and bel air rely on music. What is your approach to editing music and how do you use it to enhance your story?
Wutanz Liquid Sword (episode 308) is a musical journey that requires a different storytelling approach than most TV shows. In that episode alone he has five music videos. Combining these sequences is quite different from editing dialogue scenes. Group all your takes for a song performance, sync them all to the music so you can change shots on the fly. Since these sequences are still telling a story, they utilize certain lyrics as punctuation marks for certain actions, and try to lean into the notion that these words are literal liquid swords that attack their victims. is a process that goes through several passes and finesse.
RZA’s intention for the “movie” was to have the songs on the album score scenes. Rather than using the original instrumentals, RZA re-recorded new orchestral his arrangements of all the songs. Liquid Sword, was used to score each scene. RZA had a specific idea of what songs would go where, so he used his STEMS from the cue to shape the emotional beats of the entire scene. I had never worked with a director who was also a composer, so I worked hard to pay homage to his work.
bel air It’s your own music show. Needle drop can be used to score a scene or play it as a source in stereo. It’s very intentional in how it uses the song for a moment. Morgan Cooper (bel air Creator) has a sophisticated ear for youth culture and what they’re listening to, so he weighed in on which artists each character was interested in. It was a guide light to finding the perfect songs for the characters’ emotional journeys.My favorite episode was Family Reunion. Because I was able to put a great soul & funk his Needle his drop on every scene and even use Montel his Jordan items. this is how we do it It was the perfect scene to cut with that story during our flag football game.
Can you give examples of scenes from each challenging project?
of Liquid Sword The episode culminates in an epic battle sequence chronicled by a song Room 4The sequence itself is an homage to the song’s music video. We have recreated the video. I took almost every shot. It was an absolute blast to piece together. I used the tweaked re-recording as the score leading up to the battle, then the sample. general assassin Come in and the beats will drop in an explosion. This is my favorite scene that I have cut so far.
The Season 2 finale of Bel Air has a powerful speech at the climax of the episode. Many characters communicate primarily through their appearance, so a lot of information had to be conveyed visually. I had fun shaping this scene with showrunner Kara Banks Waddles because I found the right balance for all the storylines I was chasing. Watching my teammates react to the scene during the screening was very rewarding.
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