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Theater 40 will host a stage reading of Andrew Davies’ Prin on April 28th and 29th. Jules Aaron directs Juliet Mills (as the titular Pudding), Maxwell Caulfield, Ivy Kahn, Anne Hahn Tobolsky, Joe Clavie, and David Hunt Stafford. Juliette was very kind to talk to me on her day off from filming Grey’s Anatomy.
Thank you Juliet for finding time to talk to me on your day off! How do you spend your days off?
thank you very good wonderful! The weather is so nice that I am gardening. Suddenly you can go out into the garden again and start digging. The earth is soft and my wisteria is blooming. it’s gorgeous.
What made you want to play the role of pudding? script? Theater 40? Any chance to ride a board in Los Angeles with your husband?
well i would say all Really of those things. Gil. I mean, it’s a great role. Of course, she’s quite the character. A chance for theaters to follow this era and do something to help burn the seats as they say. Of course, I like it whenever I get to work with Maxwell. we like working together
When was the last time you worked with Maxwell on stage when you toured Australia with your sister Hailey in 2015 with Legend?
No, that was my last time in Australia. Last year we went to England where we put on a new play called Darker Shores, a ghost story thriller set in 1874. I didn’t come back until Christmas. That was my last time in England. In fact, we’ve worked together quite a bit in British theater. We go back there to recharge our batteries.
If you were to present Pudding on a dating site, what qualities would you include in her?
Oh my god, I don’t know. You mean you were trying to attract someone? Well, I can say that I am highly intelligent. It’s pretty funny. Very selfish and quite rude.
What are the character flaws you absolutely want to omit?
If she likes you, I’m sure she’ll have a lot of fun, but you wouldn’t want to trample her. I don’t know who wants to date her.
Besides Maxwell, have you worked with the Pudding cast and creatives?
No, never, except Jules Aaron directing it. When Maxwell and I first got married, we did a play many years ago. Here at the Tiffany Theater it’s called In and Out the Window. It was really long ago. I was delighted when David Stafford said Jules would direct this reading. Because it obviously needs a director. Besides walking around, getting up, and sitting, you have to do something else. Something to make it more interesting than just standing on a lectern. make the most of it as much as possible.
You started out in theater and have found success in film and television. What makes you go back and forth to mount your theater board?
I deliberately work in the theater often. When I say “charge the battery”, I mean it. Back in the theatre, it was back to the essence of acting and great interaction with the audience. They are litmus paper. If they’re quiet and listening, you know you’re okay, you’re real and you’re getting them involved. If they cry, you are getting to their emotions. Working in theater is thrilling. I started out in theater, but I always go back to theater and back to what it really is. But in theater you get an immediate response and you learn a lot each time.
Your godmother was Vivien Leigh and your godmother was Noel Coward. What advice or words of wisdom they gave you that you are trying to follow today?
I don’t remember much of Noel’s advice to me as far as theater is concerned. You know his famous line, “Remember the lines and don’t hit the furniture.” But I was very close to Vivian. I’ve known her since I was a child and all through her adulthood. she was very professional. She has great ethics as far as her work is concerned. Her work comes first, and her advice is, “If you love it, keep doing it. so much anxiety and no idea where the next job is coming from you didn’t plan anything it’s not a bed of roses get ready for that it’s her It was advice, of course, my father and mother said exactly the same thing: you have to have absolute passion for your work, keep doing it, stay in your job, take things personally. You have to try not to overdo it, you audition and you don’t get them, it’s hard not to get depressed by it.
Coming from a respected family in the British arts world, you’ve made friends with many other big names in British theater. Can you tell me some of the most memorable stories you had as a child?
Thanks to my parents, I met many of them. they knew everyone. They were very social and had a great dinner party. Everyone has come home. There was no TV back then, so we were entertaining each other. I remember David Niven and Douglas Fairbanks coming to my house. They both had little bags that looked like little doctor’s bags. I remember thinking about it with my sister. Well, they had a joke. It’s a rude joke. Everyone was joking and talking and playing the piano. Noel came and played the piano and sang and sang the song. It was a very different time, people entertained each other because there was no entertainment in boxes or television.
I worked with John Gielgud. My first play was with him. He directed my first play. This was Peter Shafers’ first play. who remained my best friend. The play was called the Five Finger Exercise. It was a big hit in London and ran for a year. Then I went to New York and ran for six months. We were together all that time. Working with Sir John was heaven. he was very funny he is very smart He offers about 3 or he 4 different options for one line. He was very nice and loved the theater very much. That wonderful bubbly voice of his, he just walked off and read the lines for you and you went away. Try something else.Always keep you on your toes.He was really great.
I remember my father doing plays. This has nothing to do with me. But my father does a play called “Aunt Charlie,” which is a very funny comedy. and directed by Sir John. They had a dress rehearsal and were doing their best. Papa was falling down disguised as an aunt. At the end, it was silent, and John’s voice was heard from the stall. That’s all he had to say. very funny.
Then we went to New York. He loved New York. And I remember him walking me and Brian Bedford, my dearest friend who is no longer with us. We spent the rest of our lives like brothers and sisters. But I remember walking with Sir John on our first night in New York. Neither of us had been to New York. Brian he was 23 and me he was 17. I remember Surgeon walking down his Fifth Avenue. He was so excited to take us there.
In addition to performing in several major theaters in the UK, the show has toured in the UK, US, Canada and Australia. How do you classify your audience in all these different countries? More verbal? Noisier? politely and quietly?
I think New York is the most interesting. They are the most demonstrative and verbal. Standing ovations are not uncommon in New York. I think the theater in New York is the most exciting. Broadway is swimming. London is also very exciting, but they are not as demonstrative as the British. But they don’t stand up, shout, scream, and cheer like New Yorkers. But actually, in terms of audience reaction, I don’t feel much different from Australia or London in terms of watching a play. Every country has nights with good crowds and nights with bad crowds.
What do you remember about the moment in 1960 when you were told you were nominated for a Tony Award for your role as Pamela Harrington in The Five Finger Exercise?
I was very, very ignorant. I wasn’t quite sure what that meant, what kind of honor it was, and how important it was. By the time the nominations were announced, I was back in England doing something. My dear parents didn’t make a fuss about it at all. They didn’t encourage me to go back to the Tonys. I didn’t realize until later in life how honorable it was to be nominated for a Tony Award, and how young I was. I’ve only learned to appreciate it as I’ve gotten older.
You have been married to Maxwell since 1980. In Hollywood terms, that’s 280 years! What’s the secret to a decades-long marriage?
we have a lot in common. we love what we do We have a lot of trust in each other and we laugh a lot. He has a great sense of humor and so do I. Lots of laughter and not taking it too seriously. When I met Maxwell, he was young and very handsome, and women fell for him in front of him. I never saw him turn around and check on a girl. He always made me feel very secure in his love and devotion.He always promised to love me forever. And I believed him. And it’s true. He is a very, very special man. i am very lucky it was Very, very lucky. I think that’s a rarity, especially in this business. 42 years this year. I mean, there are so many. I’m 43 this year, sorry. I can’t keep up Time is going so fast. There is a full moon once every two weeks.
What’s next for Juliet Mills, other than recurring in Grey’s Anatomy?
Hahaha! I can’t go into details, but I have a movie I plan to make in the summer. This is the sequel to the horror movie Beyond the Door that was made 50 years ago. It has become a kind of cult horror. I did it with Richard Johnson. Filmed in San Francisco and Rome. It was a huge success. The Italian producer who made it called me out of the blue and said, “Can you make a sequel?” I jumped at it. First, because I really like the idea of being creatively involved in the script, casting, and all that stuff, and having some input into it. it’s on the card. Hopefully it will happen. You won’t know about this business until you’re actually on set. That’s the plan. anyway.
Thank you Juliet! I’m looking forward to seeing you, Prince.
Well, I’m looking forward to seeing you again after a long time. Gil.
Click the button below for tickets to Pudding’s live reading on April 28th or 29th.
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