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Ian Munsick’s rise to country music isn’t tied solely to the talents the 29-year-old Belmont-educated singer-songwriter showcased on his sophomore album, White Buffalo, out April 7th. is not.
Instead, look at two facts about how country music maintains its own integrity, buffered by a family-defined, authentically country-living and empathetic look.
First, the dream gig from Sheridan, Wyoming (alone or with father Dave and brothers Sam and Tris) – at the 19,000-seat stadium at State Capitol Cheyenne’s annual 10-day Frontier Days Rodeo Headliner Set – is a five-hour drive south of his hometown.

Combine that fact with Paramount + the TV show Yellowstone, which takes place one state north of Wyoming, Montana, and the fifth season premieres in 2022, up 52% year-on-year to 12.1 million People live plus was the same amount. – Day viewers.
For the first time since John Denver soared to Colorado’s “Rocky Mountain High” 50 years ago with his top 10 pop and adult contemporary successes, the American West, country music’s broadest geographic fan base, is entering the mainstream. is having a pop culture moment.
For Manthic, Western music draws its own inspiration from cows, canyons, coyotes, horses, prairies and mountains.
How that geography defines Western culture, and how the various aesthetics of mainstream country music are redefining pop culture is also very important to him.
“Long Live Cowgirls” was co-written by Western Waltz Mancic, Abby Gutierrez and Phil O’Donnell and is one of 18 songs released. The song sounds like a story older than time.
“Life changes generally inspire creativity, but when it came to my husband, my father provided me with a new perspective on the timelessness of life and love,” Mancic said of the rest of the album. I am talking about the part of
His current single is ‘Little Man’, a tribute to his 2-year-old son Crawford.
“Snow cones, Tonka trucks and sleepless nights have ruled my life. There’s no other way. My little man made me a better person,” Mancic says. .

The song’s co-writers Adam James and Ben Simonetti, both fathers of young boys, benefited the music by reflecting their unique parenting experiences.
“My sons teach me how to be a better person by looking at the bright side of the world. I want to teach him half the things he taught me.” ”
But dig deeper and Manthic’s album titles pay tribute to the Crow, Northern Cheyenne and Sioux Indians of the Prairie. Importantly, Native Americans make up only about 3% of the United States’ population, but about 75% of that population lives west of the Mississippi River.

The white buffalo is a sacred symbol of prosperity and regeneration for the plains tribes. Mancic’s father, rancher, musician, and teacher, Dave has long been involved with various Native American tribes in the area through his classroom work and livestock trading.
Crow art, horsemanship, and stories have long influenced Manshik. But for him, it must “shed light on the beauty and truth of Native American culture” to fully reflect the breadth and depth of how his roots have inspired him as a musician. bottom.
“This is not Hollywood. My hometown is real.”

About a quarter of the album — listen to the yodel in the title song, the pan flute in the album closer, “Indian Paintbrush” (a reference to a perennial wormwood-style plant well known in the West), and “Arrowhead” Including emphasizing values – as well as respecting these traditions — has characterized his career with hard work, humility, and respect for the earth, planet, and people.
Mention Mancic another feature of his work. he may share with others. Like Garth Brooks, Casey, a Wyoming-born bronze sculptor, country music singer-songwriter, and Hall of Fame rodeo champion Chris LeDoux has claimed as one of his greatest inspirations. . Mancic laughs.
“Before he was an artist, Chris Ledoux was a real rodeo cowboy. I couldn’t be as brave as him because I was afraid of being stepped on by bulls and horses,” said Mancic. says. “Gene Autry and Roy Rogers sang cowboys in clothes, but compared to Chris LeDoux, they weren’t as natural as him.
Munsick’s current touring schedule feels like endless touring between 3,000 and 15,000-seat venues around the country. Thus, in LeDoux’s “electric rodeo rock ‘n’ roll”, rather than adapting a headset his mic like his fellow LeDoux fan Brooks, he develops an onstage persona to make him more funny. More reflective of style.
“I know I help people escape the screens of cell phones and the hustle and bustle of modern life,” says Mancic candidly.
One listen to “White Buffalo’s” and “Barnburner” reveals Ledoux’s willingness to entertain with a smile.
The song’s tale of an enraged ex-boyfriend being accused of burning down his girlfriend’s barn sounds like an epilogue to Carrie Underwood’s 18-year-old classic country hit “After She Cheated”. .
“There are a lot of songs in country music where women ask men to make amends, but not the other way around,” jokes Mancic.
Mancic reflects on his success and the reasons for his growth.
“People are intrigued by where I’m from,” says Mancic. “Being a cowboy is trendy right now in the sense that the reality of living that life isn’t. But above all, it’s like understanding that the earth and its land are magical and beautiful It’s as easy as
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