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After an almost five-year hiatus from releasing music together, Friday saw the long-awaited return of indie group boygenius, releasing a new album, ‘The Record’. Formed by solo artists Julian Baker, Phoebe Bridgers, and Lucy Dacus, the group released his first EP titled Self in 2018, and many have been voicing their next batch of songs. I was wondering when will be released.
The trio certainly did not disappoint with this comeback release. “The Record” is a laborious amalgamation of songs about relationships, heartbreak, and growing up.
A bold and glamorous move, the album begins on a surprisingly stripped-down note. “With You Without Them” is a full a cappella song led by Lucy Dacas that fosters nostalgic feelings as if Dacus, Bridgers and Baker were singing nursery rhymes to the listener. It sets a heavy tone for the whole album and is done in a classically unconventional way that even the indie rock songs inspire a feeling of longing.
The soothing sound of “With You Without Them” is followed by two songs released this year titled “$20” and “Emily I’m Sorry.” Led by Baker and Bridgers respectively, these songs have a classic Boy Genius vibe. With beautiful harmonies underscored by gritty guitar solos and poignantly heartbreaking lyrics, they capture everything you love about a trio.
At the end of “$20,” Bridgers can be heard screaming frantically, ending the song on an emotional high note, as listeners can clearly hear the raw emotion from her voice. Her scream changes to “I’m sorry, Emily,” leading in a more apologetic tone.
Another previously released song, “True Blue,” certainly stands out on The Record for its poignant lyrics and overall hopeful message. Dacus leads the group in a song about relationship comfort, including the imperfections, and sings, “And I can’t hide from you as I hide from myself.” Songs like “True Blue” with more positive messages about love than heartbreak are rare from the trio and their solo act, but they’re by no means unwelcome. The song sets the relationship theme for the rest of the album, a welcome reprieve from the tears you might shed after hearing “Emily I’m Sorry.”
Following the trio of singles, “Cool About It” is a purely acoustic folk track inspired by Simon and Garfunkel’s “Boxer.” On “Cool About It,” each artist sings a verse, their soft harmonies sounding like a lullaby. The song is followed by Bright’s fourth single from the album, “Not Strong Enough,” which has been gaining traction on social media platforms such as TikTok in recent weeks.
“Revolution 0” and “Leonard Cohen” have proven to be great editions of The Record. Both songs touch the listener’s heartstrings with acoustic guitar backing.
Bridgers’ solo “Revolution 0” sounds much like her solo release, with a dreamy, ethereal feeling that blends seamlessly with wild, poetic lyrics. In the chorus, the group perfectly encapsulates the feeling of being freed and dependent on someone when they sing in unison, “If you’re not enough / Then I give up / And then nothing is.” increase.
In the album’s final moments, “Satanist” and “Anti-Curse” end with “We’re In Love.” Flanked by classic indie rock songs, the melancholic love song “We’re in Love” only goes from strength to strength.
The final track, “Letter To An Old Poet,” is definitely one of The Record’s highlights. This track appears to be a continuation of Boygenius’ famous ‘Me and My Dog’ and is from his self-titled EP that excited many fans when they first heard it. Familiar harmonies and tones in the chorus lead to the climax of the bridge, where they sing “I want to be happy/I’m ready to enter my room without looking for you.” In Dog, she sings, “I want to be emaciated/Without thinking of you he wants to hear one song.”
The lyrical difference between “Letter to an Old Poet” and “Me and My Dog” expresses growth and hope for overcoming heartbreak, and Boygenius concludes The Record on a hopeful tone, voicing The Record conveys the true message of
This album does an exceptional job of capturing the style and essence of Baker, Bridgers and Dacus without sacrificing the overall flow. With songs about getting to know oneself and others, the trio are able to articulate emotions that underline the lives and relationships of many, and collectively prove to be an incredibly relatable project. “The Record” is a work of art that made audiences in their teens and twenties cry.
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