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In 1996, rapper Mike Shinoda co-founded the rap-rock band Linkin Park. The group met with immediate success with the release of his studio debut album, Hybrid Theory, but it was his 2003’s Meteora that truly cemented Shinoda and the band’s fame. Twenty years later, Shinoda is a jack of all trades, adding titles to his portfolio, including acclaimed songwriter, label co-founder and award-winning producer. After releasing his latest single “In My Head” in March, Shinoda sat down with Harvard Crimson to discuss the anniversary and recent release of “Meteora.”
“In terms of musical form, it has risen,” Shinoda said. “Meteora” 20th Anniversary Edition.
For many fans, the anniversary album was the first time they heard all the tracks from “Lost”, as well as new experiences, including previously unreleased demos and never-before-seen live performances. For Shinoda, listening to “Meteora” after all these years meant unearthing moving memories of how the song was put together in the first place.
“Hearing the demos in person is a different experience,” said Shinoda. “The most embarrassing thing for me to hear is that’s why it’s there. The ‘Breaking The Habit’ song demo.”
Shinoda recalled that the “unpolished” skeleton truck was completed in a few hours. “There’s no auto-tune, no compression, no EQ. It’s just me and a really bad mic ruining my ideas. There’s a little bit of exposure — I’m really exposed to exposing it to the world.” I’m here.
The thought process that went into assembling the Meteora|20 package wasn’t “lost” for Shinoda. The intention was not to remaster, but to preserve and expand the original sound.
“The ‘Lost Demos’ album is in the ‘Meteora|20’ package,” Shinoda said, referring to the group of B-side CDs sprinkled throughout the anniversary album. The musician recalled thinking they would eventually be released. “And it never happened. And by the time we got to the next studio his album, there was no looking back at the old demos.”
Looking back, tracks like “Fighting Myself,” “More The Victim,” and “Massive,” along with “Lost,” are some of my favorite songs Shinoda added to the anniversary album.
“find [‘Lost’] It was amazing — obviously surprising — and really teleported me to that era,” Shinoda said. “That’s the most interesting thing for me.”
When it comes to solo projects, Shinoda employs a variety of artistic approaches.
“Sometimes the lyrics come first, the melody comes first,” Shinoda said. “‘In My Head’ started with Track First”
“In My Head” is one of Shinoda’s two contributions to the soundtrack of the film Scream VI, and Demi Lovato’s track “Still Alive” was co-written and produced by Shinoda for the end credits. Thing. When discussing his creative process during the song’s production, Shinoda highlighted the similarities between the story and the lyrics.
“One of the characters has these intrusive thoughts. I felt that was very familiar to me.I think there was a time when I felt that.I feel like I made a good song
“In My Head” is far from Shinoda’s first solo work. Since she produced X-Ecutioners’ “It’s Goin’ Down” in 2001, Shinoda has created chart-topping remixes, co-wrote Grammy-winning tracks, and co-founded Hip Hop His Project. And recently released his album solo his studio. “Post-traumatic.” However, 2023’s “In My Head” may be one of his most vulnerable releases yet.
“It felt very close to me.
Shinoda added that the more introspective and emotional elements in the songwriting came together fairly quickly and naturally. I feel like this song has that.”
Shinoda’s recent work features many dynamic moments and sonic contrasts, putting a novel twist on his already innovative approach to musical elements that has not been explored in his previous work. . But musicians remain humble and pay attention to the innate human experience of making music.
“What I always look for in music is to connect with someone. Whether I’m making it and they’re listening to it, or they’re making it and I’m listening to it, it’s a connection. It’s a connection,” Shinoda concludes.
— Staff Writer Alisa S. Regassa can be reached at alisa.regassa@thecrimson.com. Follow @alisaregassa on Twitter.
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