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Dolly Parton, brothers of justice, the animals, Dionne Warwick These are just some of the people who sang her songs. Cynthia WeilThe sphere of influence of is remarkable.
An American pop music pioneer, Weill, along with her husband Barry Mann, created a songwriting catalog that spanned four decades of hits.
Weil died on Thursday, June 1, at the age of 82, with tributes pouring in from musicians and songwriters.from Mark Ronson To Steve Van Zandt; kiss’ Paul Stanley For Dolly Parton, Wile’s loss is felt by many.
Parton, who successfully made the transition from country to pop with Weill-Man’s composition “Here You Come Again,” praised Weill as one of the best songwriters to do it.
“She’s one of the greatest writers of all time, and since she and her partner Barry Mann wrote my first million-selling song ‘Here You Come Again,’ I’m proud of her. I appreciate it very much.
So I have always thanked her and will continue to thank her. All those who loved her will miss her and will always appreciate all of her wonderful music that she left behind. “
A native of New York City, Weill took his first steps into professional songwriting in the 1960s, becoming a prolific member of the iconic Brill Building. The Brill Building was Manhattan’s office hub and hit factory that shaped the emergence of rock and roll in the 19th century. period.
Surrounded by the creative energy of colleagues and fellow songwriters, including Burt Bacharach, Carole King, Neil Diamond and Neil Sedaka, Cynthia Weil and Barry Mann’s partnership quickly solidified. became. The couple would be responsible for the music that would be performed and covered by subsequent artists.
From Grammy-winning ballads and Academy Award-nominated productions to songs deeply rooted in the DNA of contemporary pop music, Weil has established a strong legacy of work worth revisiting. .
For those who probably haven’t heard the name Cynthia Weil, here are five tracks to kick off your journey of discovery.
“Here You Come Again” (1977)
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As mentioned above, Dolly Parton’s turn from country to pop was marked by her 1977 collaboration with Weil and Mann, “Here You Come Again.”
This song stands out for several important reasons. It won her the 1978 Grammy Award for Best Female Country Vocal Performance and charted her No. 3 on the US Billboard’s Hot 100, giving Parton her first major pop crossover moment. rice field. ‘Here You Come Again’ is also noted as a rare release from Dolly Parton no Written by Parton himself.
The song is also the title track of Parton’s 19th studio record, and her first to be certified platinum.
“Here You Come Again” shines with a melody. The song, which feels like simple songwriting, is actually quite impactful, with Parton’s vocals accentuating the lighthearted romanticism of the lyrics.
The song wasn’t originally written with Parton in mind, but it’s hard to imagine her iconic vocals, steel guitar, and vibrant instrumentation failing to deliver.
“I Must Get Out of This Place” (1965)
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Arguably one of the most iconic songs in Wylman’s catalogue, “We’ve Gotta Get Out Of This Place” wasn’t originally intended for songwriters to hit artists. I didn’t.
In its original form, the track was written for the Righteous Brothers. The couple is already a number one blockbuster group (more on that below).
The demo was in the hands of record producer Mickey Most, who had worked with British rock band The Animals, who had had transatlantic success just a year earlier with ‘The House Of The Rising Sun’. crossed.
The Animals remake of “We’ve Gotta Get Out Of This Place” was officially released in 1965 and was another big hit for the band.
“We’ve Gotta Get Out Of This Place,” which became a national anthem of sorts at a time when America’s social and political influence was so strong, was particularly popular among US military personnel during the Vietnam War. known for
For Weil and Mann, it was another example of the strength of songwriting. In the UK, the song peaked at number two on the singles chart. It was surpassed only by The Beatles, who held on to the top spot with “Help!”
The song has been a long-time favorite and has been covered by Bruce Springsteen, Alice Cooper, Bon Jovi, Blue Oyster Cult and the Angels. The latter notably released a cover of ‘We’ve Gotta Get Out Of This Place’ from their 1986 album. howling.
On Broadway (1963)
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Release from R&B Vocal Group The Drifters“On Broadway” is a classic just for its smooth tone and delivery of music.
“On Broadway” features Weil and Mann with composer duo Jerry Leiber, who have already produced hits like “Hound Dog,” “Jailhouse Rock,” and “Stand By Me.” It was a collaboration with Mike Stoller. ‘.
The Drifters’ version, which featured Phil Spector’s signature lead guitar solo, was, of course, a No. 9 hit on the Billboard Hot 100. But the success of “On Broadway” didn’t stop there. George Benson I’ll come in 10 years and make it my own.
Released his own version of “On Broadway” from the 1978 album Weekend in LABenson made the track a staple of his iconic catalog and won the 1979 Grammy Award for Best Male R&B Vocal Performance.
“I Don’t Know Much” (1980)
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Originally released by Mann himself in 1980, “Don’t Know Match” is perhaps best known for being performed by Mann himself. Linda Ronstadt and Aaron Neville – Their cover landed 9 years later.
The song is a gorgeous love song and a prime example of Weil and Mann’s strong talent for documenting ballads and epic romantic moments.
Mann’s original version was propelled by his emotive vocals, backed by big strings and orchestral swells. And in 1983, Bette Midler Adding her own touch to “Don’t Know Much,” she released a piano-driven version on her sixth record, entitled “All I Need To Know.” No frills.no folds.
Ronstadt and Neville won a Grammy Award for their performance in 1990 for Best Pop Performance by a Duo or Group with Vocals. Ronstadt’s sixteenth studio release from his album is Certified Gold. Cry like a storm, howl like the wind.
“You’ve Lost That Lovin’ Feelin'” (1964)
Arguably one of the most well-known (if not) of Best known) Weill’s contribution to writing must be the Righteous Brothers’ 1964 hit “You’ve Lost That Lovin’ Feelin’.”
Until 2019, “You’ve Lost That Lovin’ Feelin” remained the most-played song on US radio, but The Police’s “Every Breath You Take” overtook it.
And to further cement its influence, in 2015 the Library of Congress registered “You’ve Lost That Lovin’ Feelin” with the National Recording Registry as having “cultural, historical, or aesthetic significance.” .
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“You’ve Lost That Lovin’ Feelin” has been covered many times as an example of Spector’s famous “wall of sound” technique. A testament to the greatness of the songwriting at its core, many of these covers have established themselves as classics.
Dionne Warwick’s 1969 version is beautifully rendered and infused with her haunting blend of soul and sensuality.
When distributed in duet format Roberta Flack and Donny Hathaway 1971’s ‘You’ve Lost That Lovin’ Feelin’ is a timeless, slow-tempo, groove-heavy process.
of Hall & Oates Released in 1980, this version, with synth-era updates to the original, was a huge hit for the pop-rock duo, surpassing “Rich Girl” as the highest-charting single (up to that point). .
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In many ways, this song is the perfect pop record. From songwriting to arranging. With vocal delivery and, of course, Phil Spector’s exemplary production, ‘You’ve Lost That Lovin’ Feelin’ is a timeless classic.
The world has lost the true and great music of Cynthia Weil, but she left a wonderful legacy for music lovers to come.
Want a quick overview of music history? Check out the J file Discover songs, interviews, and deep insights into the greatest artists of our time.
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